Why is it that when I try to take a picture of Sweet Pea through the netting of his pack and play or the screen door - it just looks ridiculous and nothing like these cool images by Matthew Tischler? Clearly instagram needs to create a screen door filter for me very soon or else I'm going to be forced to buy one of these amazing prints. (By the way, wouldn't be a rainy filter be awesome too?).
Monday, August 13, 2012
through the screen
Why is it that when I try to take a picture of Sweet Pea through the netting of his pack and play or the screen door - it just looks ridiculous and nothing like these cool images by Matthew Tischler? Clearly instagram needs to create a screen door filter for me very soon or else I'm going to be forced to buy one of these amazing prints. (By the way, wouldn't be a rainy filter be awesome too?).
Monday, October 3, 2011
Olivia Scribbles
Monday, August 22, 2011
Bootsie's pictures
My friend Bootsie is an AMAZING photographer. She took up the art form just a couple of years ago, but she's already got such a great eye for composition, color, and mood that I just have to share her work with our little readership. Aren't her photographs lovely? Such diverse styles, but there seems to be a thread of melancholy that runs through most of them that really strikes me...
{For more of Bootsie's photography, see her flickr page: *Bootsie.
She also has great taste which can be admired on her tumblr page.}
Thursday, April 7, 2011
Saul Leiter
I have been watching, or more like engrossed in, the "Mildred Pierce" mini-series on HBO. Even before the first parts aired, I watched "Making of Mildred Pierce", which was honestly nearly as interesting as the series itself , and it was the first time I had heard mention of the photographer/painter Saul Leiter.
Director Todd Haynes credits Production Designer Mark Friedberg with introducing him to the work of Leiter. According to Haynes, the photographer's use of reflection, use of windows or glass, seemed give a truer sense of being in a specific place at a specific time and that was the perfect feel for this period piece.
In a 2005 NYTimes review by Roberta Smith, she writes:
"Unlike such well-known street photographers as Robert Frank and William Klein, Mr. Leiter was a photographer less of people than of perception itself. His painter's instincts served him well in his emphasis on surface, spatial ambiguity and a lush, carefully calibrated palette. But the abstract allure of his work doesn't rely on soft focus, a persistent, often irritating photographic ploy, or the stark isolation of details, in the manner of Aaron Siskind or early Harry Callahan. Instead, Mr. Leiter captured the passing illusions of everyday life with a precision that might almost seem scientific, if it weren't so poetically resonant and visually layered."
I love that last part- poetically resonant and visually layered....When I did ultimately look up Leiter's work, I was moved and I could also see just how much his photographs informed Haynes and inspired his film making.
So if you have the opportunity, try to catch "Mildred Pierce" and if you don't- take in some of Leiter's work...

Image courtesy of jacksonfineart.com
Image courtesy of jacksonfineart.com
Image courtesy of red-tshirt-blog.blogspot.com
Monday, January 3, 2011
spots of time
My friend Sarah is the amazing photographer behind "spots of time photography." I think she can make anything look lovelier in one of her photographs. Just take a look at the series of pictures she's taken of miniature toys for her baby boy's room. I love the light and the captured texture and just the warmth of the animals. What lovely little scenes!
Wednesday, May 26, 2010
Aline Smithson's "In Case of Rain"
I keep going back to Aline Smithson's photo series, "In Case of Rain" (discovered on kris atomic) with its beauty and brightness on this rainy and gloomy day. Hope you fall in love with it too....
"We live in a world of technical distractions. I see my children gathered around their computers as though it's a summer campfire, faces aglow, as they peer into a world of friends and fantasy, participating in a new form of entertainment that further remove them from the childhood that I experienced.
Today's generation has lost touch with the activities that previous generations have enjoyed—reading a good book in a comfortable chair, playing board games on a rainy day, flipping through Life magazines, or sprawling out on the living room rug while listening to records and reading the backs of album covers.
And it's because of this that I have been looking at book shelves and untouched childhood pursuits with a new eye. With great sadness, I realize that these objects will someday be obsolete, at least in their current incarnations. And like a curator of antiques, I see them now as beautiful objects to be admired and preserved, if only on film.
I can only hope for rain, a heavy rain and maybe a power outage."
— Aline Smithson on her photo series, "In Case of Rain"
Wednesday, April 7, 2010
the new "us"

Monday, November 16, 2009
"under"
I'm loving the photographs titled "under" by Brock Davis via his flickr photostream, Laser Bread. So fun and clever!
Wednesday, November 11, 2009
Nickolas Muray
I love a good discovery! On the always fun blog, KRISATOMIC, I found and fell in love with the photograph at the top of this post. I just adore the crispness of color, the composition, the slight furrow in the sleeping girl's brow. Turns out that the photographer, Nickolas Muray, was one of the first major commercial photographers and master of using color.
There's a little bit of a Norman Rockwell feel to Muray's work, but that actually appeals to me because a lot of his images also have a sense of humor about them and are so beautifully composed and lit (plus, I'll admit it, I kinda a sucker for Mr. Rockwell too).
Below are a few of my favorite images that Muray took in the 1930s and 40s (these are part of the George Eastman House archive).







All images courtesy of 































